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This is solely my experience as a Los Angeles-based comic artist, and I post the following entry to see if comic artists nationwide are dealing with the same issue of adapting screenplays to graphic novels.

For the uneducated
Whether it’s successful or not, a lot of screenwriters will attempt to take their unsold scripts and turn them into 90-ish page graphic novels, hoping to add buzz to their property. It’s kind of like pre-branding. Whenever you see a movie that’s based off a novel, you are supposedly putting value to the movie because it stood its ground in one market already. Comic companies too have changed the way they market/ make their graphic novels. You now see a lot of six-issue mini-series termed as “seasons,” or advertised as “Die Hard meets Monkey Trouble!”


For those who don’t know me
I go through phases. At any given point, I want to achieve some kind of notoriety. Just enough to get free shit. However, I’ve stuck to a few key principles: I never make extraneous merchandise, my stories will be told as they’re meant to be told, and I won’t wear black and brown together. During its tenure, a few people tried to turn Books with Pictures into a this, or a that (including a benign t-shirt, which I violently protested). I always insisted that my comic was a comic, not a movie, not an icon on someone’s chest, and so on. At one point I had the opportunity to try and adapt the story to a low-budget, heartfelt indie flick with a friend and director who understood the source material, but that didn’t pan out.
At the end of the day I have a strong opinion about the relationship between comic books and movies. If someone wants to use one as a marketing strategy for the other, that’s fine, but expect a loss in artistic merit.

Reading is hard.
I hate reading screenplays. Ask my bestest friends, even though I respect their work and think the world of them, it will take an incredibly long time for me to read their work. So when I get scripts from strangers asking me to turn it into a graphic novel, I think of what a comic artist friend of mind once said: with very few exceptions, comic writers are predominantly failed screenwriters. On a bad day, I sometimes feel like screenwriters are failed novelists. These are terrible thoughts to have in my head, but that’s just how it is.
Artists around the world, how do you feel about this stuff? Writers, pitch in too.

Love love,
Sina